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"Sunshine On the Land" by David Wilcox transcription by Bill Boroson Capo II, 6 = D Intro: D G/B Em7 A7sus4 D G/B Em7 A7sus4 D G/B I went to see an old friend Em7 A7sus4 Who was soon to pass away. D G/B He said, "My life has been so good to me. Em7 A7sus4 Now I still got one more day." G A7 Now he said that as he watched the morning sun D D/C# D/B D/A And then he smiled my way. Em7 A7sus4 Because he said that every morning, A7 D G/B D He lived his life that way. D G/B D G/B He said, "I am the sunshine. You are the sunshine. Em7 A7 G G/F# Em7 We are the sunshine. Help me understand. A7sus4 A7 D G/B D Em7 A7** We are the sunshine on the land." D G/B He said this day is like a life you live, Em7 A7sus4 It's never here to stay, D G/B Because your time is always runnin' by Em7 A7sus4 A7 Like the sun across the day. G A7 But it's like lookin' at the sunshine from the earth. D D/C# D/B D/A The light does come and go. Em7 A7sus4 A7 But when you're lookin' at the earth shine from the sun, G It's quite a different show. A7 He said it's time you know. D G/B D G/B That I am the sunshine. You are the sunshine. Em7 A7 G G/F# Em7 We are the sunshine. Help me understand. A7sus4 A7 D G/B D Em7 A7** We are the sunshine on the land. D G/B Now I'm thinkin' of the things he said. Em7 A7sus4 A7 We're walkin' toward the grave. D G/B And I haven't lived a life like his Em7 A7sus4 A7 But I still got one more day. G A7 Now you could say it's only flesh and bone D D/C# D/B D/A The life that's in your hands Em7 A7sus4 But I like to think it's something more A7 D G/B D Like the sunshine on the land. D G/B D G/B I am the sunshine. You are the sunshine. Em7 A7 G G/F# Em7 We are the sunshine. Help me understand. A7sus4 A7 D G/B D We are the sunshine on the land." A7sus4 A7 D G/B D G/B D G/B D We are the sunshine on the land. CHORDS: 6 5 4 3 2 1 A7 x 0 2 0 2 0 A7** x 0 2 0 2 3 A7sus4 x 0 2 0 3 0 D 0 0 0 2 3 2 D/C# x 4 0 2 3 2 D/B x 2 0 2 3 2 D/A x 0 0 2 3 2 Em7 2 2 2 0 3 0 G 5 x 0 0 3 3 G/B x 2 0 0 3 3 G/F# 4 x 0 0 3 3 Note: The G/B chord sounds particularly good if the B (5th string, 2nd fret) is hammered onto from the open A string after the first strum of the chord. |
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